Roe v Wade: an anti-abortion film of staggering ineptitude

Rightwing faces, including Jon Voight, Stacey Dash and Tomi Lahren, join forces for a shoddy new drama purporting to tell the truth behind a major ruling

Robert Daniels
Thu 25 Mar 2021

Nick Loeb and Cathy Allyn believe you’ve been lied to about the landmark supreme court case Roe v Wade – a decision that protected a woman’s right to choose. In a controversial new movie named after the trial, the co-directors want to explain how decision was rigged; how a Jewish doctor (Loeb is of Jewish descent himself) leveraged abortion into a money making scheme; how the abortion rights advocate Lawrence Lader (Jamie Kennedy) concocted a plan to puppeteer two inexperienced female lawyers to prey on a supposedly desperate bumpkin in Norma McCorvey (Summer Joy Campbell) – the Roe in Roe v Wade – to weaponize her to an unsuspecting court system. And they want to spew this deeply biased anti-abortion malarkey as inartfully as possible.

Continued: https://www.theguardian.com/film/2021/mar/24/roe-v-wade-anti-abortion-rightwing


Planned Parenthood Goes to Hollywood

Planned Parenthood Goes to Hollywood
The group is winning in L.A., even as it’s losing in D.C. Can entertainment ultimately make a difference in the abortion wars?

Story by Nora Caplan-Bricker
September 23, 2019

It’s 10 a.m. on a Tuesday at Planned Parenthood’s New York headquarters, and I’m watching TV. Specifically, I’m watching a series of scenes clipped from movies and TV shows, all of which have two things in common: The woman beside me, Caren Spruch, had a hand in them, and each one features an abortion.

Spruch and I began our viewing session with her most recent such project, the Hulu series “Shrill.” Now, seated at a table in a white-walled conference room, we’re watching the first movie she worked on, 2014’s “Obvious Child.” Spruch is petite and animated, with a long face and dark bangs, like a more pixie-ish Anjelica Huston. She calls “Obvious Child” — a romantic comedy about an unemployed 20-something who finds herself pregnant after a one-night stand — “the one that changed the world,” setting a new standard for stories about abortion. She has seen it, she estimates, more than 25 times.

Continued: https://www.washingtonpost.com/news/magazine/wp/2019/09/23/feature/planned-parenthoods-woman-in-hollywood/


USA – Shock, Gore, and More: ‘Unplanned’ Recycles Timeworn Tropes of Anti-Choice Films

Shock, Gore, and More: ‘Unplanned’ Recycles Timeworn Tropes of Anti-Choice Films
Anti-abortion films spread misinformation and build a world that is distinctly white, Christian, and conservative.

Apr 5, 2019
Steph Herold & Gretchen Sisson

The anti-abortion film Unplanned quietly snuck into fourth place at the box office last weekend, grossing more than $6 million and drawing claims that it will be anti-abortion advocates’ Schindler’s List: “We are the hope, and this movie is our battle cry,” said one.

Unplanned is based on the memoir of Abby Johnson, a former Planned Parenthood clinic director turned anti-abortion activist. Johnson claims she had a change of heart after witnessing an ultrasound-guided abortion and abruptly quit her job; others have consistently challenged Johnson’s account of events. Regardless, the movie takes Johnson’s conversion as true, holding her up as the relatable, redemptive heroine.

Continued: https://rewire.news/article/2019/04/05/shock-gore-and-more-unplanned/