13 February 2026
By Natalia Katolik and Somtochukwu Madumelu
On 28 January 2026 Durham CELLS and the Institute for Medical Humanities hosted an ‘Afternoon of Law, Medicine and Popular Culture’. We watched and the discussed the film Vera Drake, with introduction and talk from Dr Samantha Halliday.
The cinematic power of Mike Leigh’s Vera Drake (2004) lies in its commitment to "kitchen sink realism". Rather than treating abortion as a remote legal abstraction, Leigh grounds the narrative in the mundane details of 1950s working-class London. Muted greys, cramped interiors, and lingering domestic shots depict illegality as embedded within ordinary life. Vera Drake offers a compelling reflection on the disjunction between abortion law and the lived experiences of women subject to it.