By Nayla Khwaja
September 22, 2021
The mass media plays an integral part in providing context for public opinion. Newspapers, articles, magazines, cinema, television, etc. may offer a discursive space in which readers can converse with an ‘imagined community.’ At the same time, misrepresentations lead to confused narratives and distorted opinions that could further lead to discreditations.
As we know, the mainstream media reporting around abortion is often unhealthy and the media gatekeeping around the whole phenomena narrows it down to a noxious narrative for abortion seekers. This largely affects the opinion of the masses and put abortion seekers in negative light which furthers the possibilities of prejudice, otherisation or discrimination against them.
By Silvia Aloisi, Reuters
Sep 11, 2021
VENICE (Reuters) -"Happening" (L'événement), a hard-hitting French drama about illegal abortion in the 1960s, won the Golden Lion award for best film at the Venice festival on Saturday.
The film, by director Audrey Diwan, wowed viewers on the Lido waterfront with its portrayal of a young woman desperate to arrange a termination, at a time when it could mean a prison term or death, to continue with her studies.
September 6, 2021
Italy, Sep 6 (EFE).- French-Lebanese director Audrey Diwan has caused a stir
with her immersive and visceral adaptation of L’événement, a novel through
which writer Annie Ernaux narrates her own secret abortion back in the 1960s.
The film puts the viewer in the shoes of the protagonist – played by the
French-Romanian actress Anamaria Vartolomei – while stressing the political
dimension of the original novel.
TV: This highly watchable film chronicles the Repeal side’s winning campaign of 2018
Wed, Aug 4, 2021
The historic significance of the vote to repeal the Eighth Amendment to the Constitution, in the referendum of 2018, was lost on nobody at the time. Three years later, The 8th (RTÉ One, Wednesday, 9.35pm) captures the sense that tectonic plates were shifting under Irish society as the electorate went to the polls to allow abortion in Ireland.
The 8th, which comes to television after a video-on-demand run earlier this year, is told largely from the perspective of the Repeal campaign, particularly that of the veteran women’s-rights advocate Ailbhe Smyth. The point she and other campaigners make over and over is that, although the vote was of course about restoring to women their bodily autonomy, the wider context was the State’s beginning a long journey of atonement for decades of institutionalised misogyny.
July 9, 2021
CANNES, France, July 9 (Reuters) - The director behind "Lingui", a Cannes Film Festival entry about a teenager's battle in Chad to get an abortion, said on Friday he hoped the story would resonate well beyond the African country, including in places like the United States where there are vocal anti-abortion movements.
Mahamet-Saleh Haroun said he was inspired to explore the issue after reading stories about babies abandoned or killed by their young mothers in Chad, where abortion is only allowed in specific cases where a woman's life is in danger.
From buddy comedies to dramas, movies focused on abortion barriers tell a story that shouldn’t need to be told
By KYLIE CHEUNG
PUBLISHED JUNE 6, 2021
Last week, Hulu's "Plan B" became the latest movie to focus on the complex, stigmatizing and sexist barriers to reproductive care, which are especially difficult for young people. In Natalie Morales' directorial debut, two South Dakota high school students, Sunny (Kuhoo Verma) and Lupe (Victoria Morales) have 24 hours to find emergency contraception after Sunny's first sexual encounter. The problem is, the only pharmacist in their small hometown denies Sunny access to the pill citing the "conscience clause."
To be clear, emergency contraception is entirely different from abortion care, preventing rather than ending a pregnancy that's already underway. But other than that important distinction, "Plan B" continues a growing trend of movies in which seeking abortion or other reproductive care through tremendous cost, geographical and legislative barriers isn't just a subplot — it's the main storyline.
The show’s repetition and lack of progress through four seasons feel achingly familiar – and maybe that's the point
By KYLIE CHEUNG
PUBLISHED MAY 26, 2021
After almost two years, Hulu's "Handmaid's Tale" returned for its fourth season in April, picking up right where it left off throughout its last three seasons of gratuitous violence with minimal plot payoff. Wednesday's episode follows June's escape from Gilead into refuge in Canada, as she will reunite with loved ones and figures from her past after years of separation and recycled plotlines.
Set in the fictional dystopia of Gilead, "The Handmaid's Tale" depicts America's future after a civil war and takeover by religious political extremists who relegate all women to "handmaids," or baby incubators for powerful men and their wives. Handmaids are denied access to education, or really any basic human rights or bodily autonomy, which has consistently helped the Hulu drama strike a chord amid ongoing, escalating attacks on reproductive rights in the U.S.
14 May 2021
The BBC drama
Three Families told the story of the fight to decriminalise abortion in
Northern Ireland from the perspectives of three women, all based on real-life
The first focused on a mother who faced criminal prosecution for purchasing
abortion pills online for her 15-year-old daughter who was in an abusive
relationship. The second followed a woman whose baby had a fatal foetal
abnormality but was still forced to carry it to term. The final woman’s baby
also had a fatal foetal abnormality. She died in the womb and the mother was
Analysis of the past 60 years of how abortion has been portrayed in film and TV reveals how many negative tropes still endure.
BY KATHARINE SWINDELLS
13 MAY 2021
Although you might not naturally see similarities between BAFTA TV nominees I May Destroy You, Bridgerton, and the latest documentary from filmmaker Deeyah Khan, they all share a common thread in their depiction and discussion of abortion.
A study of the past 60 years of film and television shows how far we have come in stories that portray abortion, but also highlights the endurance of negative tropes that perpetuate misrepresentation and stigma.
Gwyneth Hughes’s drama about women affected by draconian anti-termination laws in Northern Ireland was emotive but ultimately superficial
Mon 10 May 2021
It was only a couple of years ago, I’d warrant, that the majority of people in Great Britain became aware of the fact that, although the 1967 Abortion Act has permitted the termination of unwanted pregnancies for the past 50-odd years, its remit never extended to Northern Ireland. An extraordinary grassroots campaign (#RepealtheEighth) to give the country’s women the same rights that exist in England culminated in Westminster forcing the decriminalisation of the procedure in 2019.
Gwyneth Hughes’s drama Three Families (BBC One) began in 2013 and took in the situation at the time, and the fight for liberalisation of the law, through a series of personal rather than political lenses. The trio of narratives were based on Hughes’s interviews with three women whose lives were altered by the most restrictive abortion laws in Europe.