The past has been marked by periods of acceptance and intolerance of women’s bodily autonomy. Can it offer lessons for today?

By Sophie McBain
March 24, 2025

The medical historian Mary Fissell begins her history of abortion with an account of her visit to a cemetery in south London to see the grave of Eliza Wilson, a 32-year-old dressmaker from Keswick who died in 1848 after an abortion went wrong. Historians have estimated that by the early 19th century, half of births in London were conceived out of wedlock, and that by 1850 rates of illegitimacy were the highest they had ever been. In a big city, filled with young migrant workers, there was clearly a lot of bed-hopping, and plenty of cads who could disappear and evade community pressure to arrange a shotgun wedding. A single woman who found herself pregnant and abandoned, however, had few good options. If she kept the baby, she would likely lose her job and be refused medical care. Places such as London’s Foundling Hospital would not care for babies left anonymously or born out of wedlock, because they did not want to be seen to encourage extramarital relations. Abortion was one solution, and pills were widely available in Victorian Britain and marketed using coded terms such as “female obstruction pills”, the obstruction referring to a delayed period. What made Wilson’s story unusual, then, was not that she had an abortion but that she died from one, after contracting an infection.

Continued: https://www.newstatesman.com/culture/books/book-of-the-day/2025/03/cyclical-history-of-abortion-rights


Malta – ‘Blanket Ban’: stories of silent suffering

A hard-hitting protest play about Malta’s controversial ban on abortions

Giulia Magri
Mar 16, 2025

Living in a country with one of the strictest anti-abortion laws in the world, the topic is often the elephant in the room on this sunny island. As a journalist, I’ve reported countless abortion debates, which ultimately transform into ugly shouting matches, and attended demonstrations from both camps. One moment I’m reporting speeches on the need to decriminalise abortion, then, on the flip side, speeches on how life starts in the womb.

Time and again, I’ve seen politicians tiptoeing around the taboo topic, yet what the public and I rarely hear are the voices of the women who find themselves stuck between a rock and a hard place: women, daughters, mothers, wives who face the tough decision of having an abortion and carrying that decision in silence and shame.

Continued:  https://timesofmalta.com/article/blanket-ban-stories-silent-suffering.1106537


Canada – Review: Personal and political collide in ‘Hypothetical Baby’ at Factory Theatre

Performer-writer shares her abortion experience

By: Andrea Perez
March 6, 2025

DO YOU HAVE a uterus? What kind of birth control do you use? Have you ever had an abortion? And … did these questions make you uncomfortable? Performer and writer Rachel Cairns has decided to answer these publicly for her audiences and turn her abortion, a typically intensely private affair, into art.

Hypothetical Baby, a Nightwood Theatre production in association with The Howland Company, cracks open a world of socio-economic, personal and grander political questions about abortion in Canada and beyond. After its successful indie run in 2023, in this tight 90-minute show, Cairns tells the real-life story of her own unexpected IUD pregnancy in 2019 while working as an artist (and shoe shiner) in Downtown Toronto. This solo show is charming, honest and nimbly high-energy.

Continued: https://nextmag.ca/review-personal-and-political-collide-in-hypothetical-baby-at-factory-theatre/


Malta – ‘We all know someone who has had an abortion’

The performance is a love letter to Malta

Mar 2, 2025
Esther Lafferty

Acclaimed play Blanket Ban is coming to Spazju Kreattiv this month. Esther Lafferty speaks to writers and actors DAVINIA HAMILTON and MARTA VELLA about the upcoming performance.

This Friday, the long-awaited show Blanket Ban, written and performed by Davinia Hamilton and Marta Vella, arrives on stage at Spazju Kreattiv.  It was conceived in 2020, after the first pro-choice rally had taken place in Malta and as assistance from the Abortion Support Network became available in Malta.

“We wanted to contribute to this movement for change and asked ourselves what we could contribute as performers and activists too,” explains Vella.

Continued: https://timesofmalta.com/article/we-know-someone-abortion.1105833


Listen up, Trumpists – your idea of abortion’s history is all wrong

Mary Fissell’s fascinating book, Abortion: A History, whirls readers from Cicero’s Rome to 16th-century ‘witches’ to modern-day Ireland

Ella Whelan
01 March 2025

“A beautiful thing to watch”: that’s the phrase Donald Trump used to describe the slew of anti-abortion bills passed by American states in 2022, after “Roe v Wade”, a 50-year-old legal judgement in favour of abortion rights, was overturned by the US Supreme Court. While Trump’s personal views on abortion are unknown – over the decades, they’ve swayed with the breeze of whatever has made him popular – his recent words, not to mention the views of his vice-president JD Vance and their evangelical supporters, are the sort you hear described as “from the dark ages”. Abortion-rights activists, in fact, tend to make this kind of distinction: the “pro-choice” movement is progressive and future-oriented, and the “pro-life” (or “anti-choice”) crowd are stuck in the past.

But, according to a new book by the American historian Mary Fissell, the Trumpists’ view of abortion – “heartbeat bills”, no mercy for rape victims, a focus on the “unborn” – isn’t even an accurate representation of the past (whether that past is idolised or despised). In Abortion: A History, she charts a different timeline.

Continued: https://www.telegraph.co.uk/books/non-fiction/review-mary-fissell-abortion-history/


Abortion rights backlash and globalization

Alison Brysk examines nationalism, democracy and reproductive rights in new book

February 26, 2025

Keith Hamm

For more than three decades, global human rights scholar Alison Brysk has studied the drivers and responses to abuses of power, from domestic violence to dictatorships. Among the many issues on her human rights radar has been rising challenges to reproductive rights.

“Between 2018–2022, we saw dramatic progress in access to safe abortion throughout Europe and the Americas–but also surprising regression in all kinds of rights,” said Brysk, a UC Santa Barbara Distinguished Professor in the Department of Global Studies and in the Department of Political Science, where she also serves as Chair. “And where abortion is illegal, women die. Around the world, tens of thousands of women die every year from unsafe abortions. We are even beginning to see this in the United States.”

Continued: https://news.ucsb.edu/2025/021776/abortion-rights-backlash-and-globalization


Bringing women’s abortion stories to the screen

The ‘Dear Decision Makers’ documentary, currently crowdfunding on Zaar, hopes to amplify the voices of those affected by Malta’s strict reproductive rights laws

Sunday, 23 February 2025

A new crowdfunding campaign on Zaar was launched to help fund a documentary that will shed light on the realities of life under one of the strictest abortion laws in the world, through the untold stories of women in Malta.

The project builds upon the Dear Decision Makers storytelling initiative introduced in 2020, which provided a safe platform for women and other members of the public to share their experiences of abortion and the ways in which they were negatively impacted by Malta's blanket ban. The resulting publication featured 48 powerful, first-hand accounts, told in each individual's own words.

Continued: https://www.independent.com.mt/articles/2025-02-23/newspaper-lifestyleculture/Bringing-women-s-abortion-stories-to-the-screen-6736268050


Malta – ‘Hate Comments Reinforce Importance Of Having These Conversations’: Maltese Writes Of Abortion Play Open Up

By Ana Tortell
February 17, 2025

The writers of the international award-winning play Blanket Ban have opened up about the flurry of hate comments they’ve received over the years.

“The comments, however hurtful, only reinforce the importance of having this conversation,” writers Marta Vella and Davinia Hamilton told Lovin Malta.

Written and performed by Vella and Davinia Hamilton, Blanket Ban is centred around the restrictive abortion laws in Malta and documents real-life stories, shedding light on the reality that thousands of women face.

Continued: https://lovinmalta.com/lifestyle/health/reproductive-health/hate-comments-reinforce-importance-of-having-these-conversations-maltese-writer-of-abortion-play-opens-up/


UK – Trigger warnings may do more harm than good. Witness ‘the abortion play’

Hit drama The Years has seen audience members fainting hysterically. Perhaps if we dispensed with the red flags, people would enjoy this fine play

Kate Maltby
Sat 15 Feb 2025

If your Valentine disappointed you this weekend, spare a thought for the protagonist of The Years, the explosive West End play based on the writings of the French novelist and Nobel laureate Annie Ernaux. A teenager is thrilled to discover she has attracted the temporary attention of an older man at summer camp. After he painfully takes her virginity, she gradually realises that he has told half the resort. She finds the word “whore” scribbled across her bathroom mirror. Still she yearns for the validation of his returning desire.

The play takes as its subject the full range of life experiences contingent on embodied womanhood. Like the Ernaux memoir from which it draws its name, its heroine tells her story in the plural “we” and speaks for a generation of war-born French women. To the frustration of its artists, however, one of those experiences has captured all the headlines.

Continued: https://www.theguardian.com/commentisfree/2025/feb/15/trigger-warnings-dont-help-ptsd-but-they-do-a-lot-to-raise-peoples-expectations


Georgia – The Year’s First Great Film Is This Harrowing Abortion Drama

“April” is a gripping, hard-to-watch film about a doctor caught in the sexist crosshairs of a no-win situation.

Nick Schager
Feb. 2 2025

A naked inhuman creature stands in the inky dark. Its skin wrinkled, its flesh-covered face devoid of eyes, a nose, or a mouth, and its breaths heavy and rhythmic. It slowly turns and walks away to the unrelated (or is it?) sound of laughing children.

April provides no context for this monstrous opening vision, nor for the ensuing images of rain pelting the ground and an unseen figure wading through waist-deep water, the lush treetops reflected in its surface. Yet over the course of its tale, these sights come to resonate as surrealistic manifestations of the anguish and alienation of its central character—and, by extension, her many countrywomen.

https://www.thedailybeast.com/obsessed/april-the-years-first-great-film-is-this-harrowing-abortion-drama/