“Never Rarely Sometimes Always,” Reviewed: Eliza Hittman’s Ingenious Portrait of the Bureaucracy of Abortion

By Richard Brody
March 12, 2020

With her third feature, “Never Rarely Sometimes Always,” the writer and director Eliza Hittman accomplishes something extraordinary: she expands her method and her style into a vision of the world. Her first feature, “It Felt Like Love,” from 2013, centered on a teen-age girl in a Brooklyn community that Hittman knows well, and extended the tendrils of the protagonist’s dramatic experience into the broader life of the neighborhood. In her second feature, “Beach Rats” (2017), she did something similar and carried it further, scratching and scraping the surface of social connections to reveal the passions and prejudices underlying it. Now, in her new feature, “Never Rarely Sometimes Always”—a stark and harrowing story of a teen-ager’s quest to get an abortion—Hittman creates an intimate drama that’s also a story of the social fabric and, in particular, its bureaucratic abstractions and administrative minefields.

Continued: https://www.newyorker.com/culture/the-front-row/never-rarely-sometimes-always-reviewed-eliza-hittmans-ingenious-portrait-of-the-bureaucracy-of-abortion