By Jake Coyle, The Associated Press
Posted Oct 26, 2022
In Phyllis Nagy’s “Call Jane,” Joy (Elizabeth Banks) is a 1960s housewife married to a defense attorney (Chris Messina) with a teenage daughter (Grace Edwards) and a baby on the way. A heart condition, though, threatens her life in childbirth. The only treatment, her doctor tells her, is “to not be pregnant.”
When they, acting on the doctor’s advice, appeal to the hospital’s board for permission to conduct a therapeutic termination, this critical moment in Joy’s life passes curtly. The all-male board members discuss it briefly while not acknowledging Joy, across the table. “No regard for her mother?” she asks. Their votes sound the answer. “No.” “No.” “No.”
Continued: https://toronto.citynews.ca/2022/10/26/review-a-1960s-underground-abortion-network-in-call-jane/